Not a headshot. A frame. The kind of image that makes a casting director stop scrolling.
The goal isn't just a headshot.
It's an image that feels like a frame from the kind of film or series you want to be cast in — real, specific, and believable.
I've spent years studying what makes casting directors stop scrolling in major markets. I bring that eye to every session — along with a collaborative, low-pressure approach that helps you show up as yourself, not a version of yourself you think they want to see.
That's the difference between a headshot and a frame.
Four looks. One session. A complete casting book.
Leading lady. Professional. Mom. Edgy. The full range an actor needs to submit confidently across categories — shot, directed, and delivered in a single session.
Headshots that feel like a frame from the roles you want to book.
Natural. Cinematic. Built for casting.
1 Look — $425 For the actor who knows exactly what they need. One focused look, executed with intention.
1 look / 2 fully retouched finals
One 8x10 archival print
Private proof gallery delivered within 48 hours
Print and web resolution included
2 Looks — $595 (Most requested) Two distinct looks that contrast and complement each other. The most effective way to show casting range without losing focus.
2 looks / 4 fully retouched finals
One 8x10 archival print per look
Private proof gallery delivered within 48 hours
Print and web resolution included
4 Looks — $850 A full session for actors building a complete casting range — dramatic, commercial, contemporary, character. Every look deliberate.
4 looks / 8 fully retouched finals
One 8x10 archival print per look
Private proof gallery delivered within 48 hours
Ideal for actors repping with an agent or building a comp card
Additional retouches $75 each.
Every session includes a private proof gallery you can share directly with your agent or manager.
Sessions are relaxed and collaborative — no over-posing, no pressure. Just space to create something real.
Not sure which package is right for you? Reach out and we'll figure it out together.
FAQs
Where do you shoot?
1
Sessions take place in my Denver studio or on location depending on the look you're going for. Studio sessions offer controlled, cinematic lighting. On-location sessions add environment and context — both work well for different casting types. We'll figure out what's right for you before we shoot.
Do I need hair and makeup?
2
Many actors are completely comfortable doing their own hair and makeup — and for a natural, authentic look, that often works beautifully. If you'd prefer extra support, I work with a trusted roster of Denver hair and makeup artists who specialize in camera-ready prep. I'm happy to make a referral when you book. Either way, I'll send preparation tips when you schedule so you know exactly how to show up camera-ready.
When will I get my images?
3
Your proof gallery is typically delivered the same day as your session so you can start reviewing immediately — or share it with your agent. Final retouched images are delivered within 48 hours of your selections.
How do I choose my finals?
4
That's entirely up to you. After your session you'll receive a private proof gallery with all your images to review at your own pace. You can choose your favorites yourself, share the gallery with your agent or manager for their input, or ask me for suggestions — I'm happy to weigh in if that's helpful.
What should I wear?
4
When you book you'll receive a detailed PDF guide covering wardrobe, colors, and what to avoid on camera. My general advice: bring more options than you think you need, and bring a backup or two if you want feedback in person. We'll look at everything together before we start shooting.
How much retouching do you do?
4
My approach is natural and intentional. I remove temporary distractions — blemishes, stray hairs, minor skin issues — but I don't alter your features or make you look like a different person. Casting directors want to see you when you walk in the room. Your headshot should match that.